Goldenstar
Well-Known Member
Edward Gal is a total mystery to me. he can sit on a horse in a stunningly effortless way so (to me) is doubtless without a tremendous amount of skill and ability... he's able to tease out performances from the most challenging horses.... I just can't therefore understand the reasoning for that way of trainingUnfathomable.
Once upon a time I would shake my head to myself and say maybe that's why I'm a puny amateur and he's at the top of the sport... but these days the more sympathetic way of training is clearly traction and results, so...![]()
I totally agree his talent is endless his seat the thing dreams are made of .
And he did have an amazing relationship with Totilas you can't get away from that and it's not fair to blame him for the fact the horse mostly went badly for his next rider who is not in the same class as EG.
The whole rolkur thing confuses the hell out of me and where's the clear explaination of its place in their training scheme .
I had a trainer who worked extensively in sweden take a few of us through it once even at the end of it it was as clear as mud but I came to the conclusion it makes training these very very hot athletic horses quicker .
I think in dressage changes within judging will quickly change thing .
In young horse classes they could give a penalty to horses who are shown with their mouths strapped Shut the judges could hammer in the marks horses doing that broken a third vertebrae thing .
Dressage is a big buisiness shaking up the marking in one of market places for the top end of the sport would quickly adjust the beginning of how young horses at the top end are started off .
Personally I think the 'need 'to show young horses with these huge expressive trots has a lot to answer for .