el_Snowflakes
Well-Known Member
Cortez- I think you are looking at JTFDs pics and not mine (it was my post u quoted) 
At least you got some comments. my pic has been completely ignoredNot especially since those are the two things I am painfully aware of (noting my repeated ref to low hands throughout the post), however if that is your only comment, at least it supports my own opinions. Thanks.
At least you got some comments. my pic has been completely ignored
Two important points from me.....
1) Watch your outside leg doesn't shoot forward when your inside leg moves back
2) if you post a pic wearing a shirt with writing on it, plase make sue it is in focus so we can read what it says![]()
Ooops! Sorry, yes it was JFTD.Cortez- I think you are looking at JTFDs pics and not mine (it was my post u quoted)![]()
JFTD - You can see your bareback history in that you actually have the ability to ride with a decent leg length and arent hampered by a short psoas muscle which is what so many people struggle with. From the pics, and its diff without vid to say for sure, it looks like you dont have independent hands. So if you were one of my pupils you'd be doing a lot with no reins and then one rein etc until you can separate your arms from the rest of you. You've obviously spotted the curling hand on one of the pics, then we go to them being together on his withers and then tractor hands. Id suggest you've had an instructor getting you to carry your hands all over the place to try and achieve an outline artificiallyYou also need to remember to turn your little toes down so your feet stay forwards not in ballet first position
hope thts somewhat helpful.
Ooops! Sorry, yes it was JFTD.
At least you got some comments. my pic has been completely ignored
Two important points from me.....
1) Watch your outside leg doesn't shoot forward when your inside leg moves back
2) if you post a pic wearing a shirt with writing on it, please make sure it is in focus so we can read what it says![]()
Elsazzo, since you're being ignored I'll have a go and "do" your second pic. It's a bit blurry, but I THINK you are a bit "piano hands" in this one, always better to have thumbs on top and knuckles facing each other. Horse is going on well with good engagement, not all curled up in front and not above or too "down" on the contact (quite a lot of the pics on this thread are the former....). You have a nice relaxed back and draping leg.perhaps this is a better example of our trot......
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Thanks TT. Very interesting and helpful.
You're completely right in those faults, I think. However I think your reasoning is slightly flawedI've never had any instructor, I certainly wouldn't entertain one who encouraged me to hold / fiddle the pony into an outline - though it's probable that I've picked up the same habits by default from lacking an instructor, rather than having a rubbish one!
I spent most of my youth riding bareback, without reins/bridle or hacking on the buckle, carrying cups of water without spilling it (popular game as a teen) etc so I think my hands are reasonably independent - which is 100 times worse as it means that I am chosing to put my hands in all these stupid positions! I think the reason I drop them down in the last pics is to maintain a contact because I let the reins slide through my hands and become too long - does that sound plausible? The awful errant left hand in the second pic was me trying to pull his neck and shoulders away from the edge, rather than setting him up to bring his shoulders in from my legs / seat
Well spotted on the toe front - I hadn't noticed that!
Well, I'll give you my 2 ha pennyworth. Lovely highland (I am presuming?), not being too bothered by your not-exactly "horrendous" hands - you are suffering from "magnetic pommel" syndrome, where the hand, usually the inside one, is irresistibly attracted by and becomes stuck to the front of the saddle, or the thigh in extreme cases. This is bad, of course, as the contact is then fixed and cannot release or give. It is also bad because you then tip forwards and your back becomes tense and fixed also. Very common fault, cured by sitting on your ar*e (this is a technical term used by RI's the world over), carrying your hands & loosening all the joints from your wrists to your shoulders. Your horse doesn't seem to mind too much, 'though![]()
JFTD- No expert here but my friendly advice would be to give your arms'wrists a good shake out as they look very tense (as you are aware)elbows at sides & forget whats going on with the front end of your horse and try and sit a bit lighter in your seat.....as my instructor told me 'sit as if your sitting in a dirty nappy and you dont really want to sit on it' LOL......yukky but it helps!!![]()
Elsazzo, since you're being ignored I'll have a go and "do" your second pic. It's a bit blurry, but I THINK you are a bit "piano hands" in this one, always better to have thumbs on top and knuckles facing each other. Horse is going on well with good engagement, not all curled up in front and not above or too "down" on the contact (quite a lot of the pics on this thread are the former....). You have a nice relaxed back and draping leg.
Ah they just seem so typical of the hand styles often taught now to achieve an outline I generalisedDo you have someone who can lunge you? Just practice your transitions and gaits with no reins then with one and see if it throws anything up, its amazing the bad habits we all get into! Um possible on the reins sliding through fingers, but Id expect you (from your others posts and pics u seem capable!) to know this is happening and block it with your fingers. When you say you were trying to pull his neck and shoulders away from the edge do you mean to stop him falling in on the circle? You could raise your inside hand slightly (thumbs on top) to support the inside shoulder, making sure ur hands return to neutral after. May have misunderstood that though!
Right, these are better. You are right, no piano hands here, but I think your wrists are a bit "awkward" as in stiff, and in the second pic you have dropped your shoulders (people often do this when they are trying to be soft and give, but you should give with the elbows first, for this very reason - "shoulders back; boobs up!"). Your lower leg is consistently stable and in the right place, thus your back is soft and able to absorb movement. I like your horse's way of going - he has an active step under and isn't curling behind the contact. What's he like on a snaffle?Great threadTrOuble- in my opinion yours in the best example of a nice 'outline' so far
heres a couple of my pics. I know she can (& does!) go much better but this was my first ever show & I was a bit nervous/preoccupied!!
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I know shes a bit flat on this one but I think it demonstrates that she is moving 'forwards'....
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Just nipped back and found it. Thanks.PADDYMONTY I COMMENTED ON YOUR PIC ON PG 23!!! Dont feel left out chuck![]()
Here's me and my grey...
(no hat..yes yes i know..)
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would you class this as a 'good' outline?
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and because it made me giggle
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Actually jftd, I do think its relevant to this thread. Because if the way the majority of riders were taught as beginners & at very novice level changed, I suspect we wouldn't encounter so many problems with horses not working correctly. Of course no horse & rider will ever be perfect, everyone has their weaknesses. But even taking adorable alices pic, the issues with the horse stem from previous rider, & there's plenty of posts saying similar, so I do believe there's plenty of proof, for want of a better word, that if we focused more on the rider than the horse, many of the problems wouldn't occur in the first place, & those that did would in the main be minor.
Right, these are better. You are right, no piano hands here, but I think your wrists are a bit "awkward" as in stiff, and in the second pic you have dropped your shoulders (people often do this when they are trying to be soft and give, but you should give with the elbows first, for this very reason - "shoulders back; boobs up!"). Your lower leg is consistently stable and in the right place, thus your back is soft and able to absorb movement. I like your horse's way of going - he has an active step under and isn't curling behind the contact. What's he like on a snaffle?
Would I class the 3rd pic as a "good" outline? I would not. Look at the horse's back / loin area - hollow, no? Whole picture says " I am pulling up, against this rein thingy" and not "I am happily working hand-in-hand (well, mouth-on-rein really) and comfortably giving to the rein". Did he get better after this moment?
Re: the grey horse in the pics above mine:
In the lunging pic, he looks completely hollow through the back even though he's putting his nose down. In the beach pic, he looks more relaxed, but very on the forehand and not through his back. He looks best in the top pic. In the second one, he also looks slightly on his forehand.
TBG, I won't offer cc on the ridden pics as there are better qualified people than me. However, regarding the lunging photo, in my opinion, I would not class that as a particularly pleasing outline, no. Pony's hindlegs are trailing, not tracking up and lacking forwardness and power, the neck looks tense and rather forced. The poll is not the highest point, giving the "broken" look 6" behind the ears.
Lovely horse though![]()